Yep, amen to that. I wish he would model more compressors than just ssl.

 

Soon! Updated GUI and some new more!
But the top feature is schematic editing.
Watch this!

The Glue HD has some new there tho... stay focking tuned, guys!

 

when it comes to distort a 303 nothing beats the Ibanez Tube Screamer (among other things). Here perfectly emulated by Cytomic .

Simply a "must have"

 

I still don't understand why do we still need extremely true 303? Is this 90s and 00s sound still popular in the world of modern edm, trap etc. Billions of sounds and we need 1:1 emulation of 303? So your song is shitty without these smallest nuances? And who cares, 40 y.o. engineers or 20 y.o. generation who knows nothing about this and even 303?
Imho I don't think it must sound same as it was done years ago spontaniously. Do your own sounds and history, forget about this old 1:1 shit. Who does these strict rules? There are only principles and methods to produce, mix, master, your imagination and vision. We listen to music, not the true tools emulations and strict chains.
Sorry for this. But really. Everyday music is overfilled and limited by 303 only ? And by true 303?
Ten+ years there were only benny benassi satisfekshon bass...foooo

I know it is good to use classic sounds, but don't find extreme exactness. Because you should repeat all the chains for your reference 303 tracks, including mastering chains to sound like. Maybe what you are looking for is not only 303+distortion.

 

Last edited: Mar 8, 2018

Quite frankly The think your opinion is 1:1 BS lol... I get what your saying brother, but as a developer and bat shit crazy code scientist I think Andrew can do whatever makes him happy. Emulation is how we learn to grow in almost every area of life. How else did you learn to speak? And it certainly applies to the arts.. Imitate, emulate innovate....

 

if you seriously care about what's popular in a genre soundwise and also about popularism as a whole, then you've completely missed the point about creative production and music as a whole, there are 3 kinds of people: analogheads, digitalheads and a mix between them, analogheads love the sound of an original 303 and tbh, nothing sounds like a 303 even the replicas that are not 100% reproduced componentwise can't nail that sound, i use an emulation of 303 that pretty much nails the 303.

there are actually few synths imho that give such interesting contrasts when you put your favorite fx through.

btw i'm in my 20's.

 

Ok, but sitting with one sound to emulate exact chain and nuances is like counting and counting and counting only one dog and proving there is not one, but something about. And it is not innovative to go further, it is to be in frozen state. Instead go learn something new. It reminds me "my music is bad, it sounds bad because of lack of/no true emulations". I would say "fk that".

 

Sitting and emulating 1:1 303 is not creative production) it is a problem audiophilistic engineering abyss.
And yes, I am an engineer and audiophile.

 

a 303 sounds like a 303... you can tell if it's been processed by tape/vinyl or any other fx because a 303 sounds like a 303.
and you certainly can tell from the rest of the mix if it has any processing because you don't just master your 303 by itself so you can clearly hear the whole song, and a 303.

listen i got what you meant now, but i actually thought you KNEW there are vst emulations of 303s.

anyways let's get back to The Scream, tried it and it's awesome like the rest of the stuff he does.

 

Last edited: Mar 8, 2018

I know what 303 is, which vsti instruments are closer, and which are better than new tb-3.
I mostly speaking about reinventing wheel, doing nothing like emulating 303 and distortions to be 1:1 and not to be at 99.99995% close. To be creative is to start from Mozart and Bach playing, not measuring the warmth of 303 and its screamers emulations and phase cancelling both originals and digital emulations. Nobody emulated one grand piano sound from another one. In the age of tech development, plugins etc I still see comments how digital is still shit ..... yeah imperfect analog is better than linear flat clean digital, but digital stuff now is various,close or even beyond analog. Yeah, gear is gear, monitors, ac treatment, headphones, mics, preamps, adc dac.
I am not newbie btw.
Peace.

 

never assumed you were a newbie, but now i will do, and im taking in consideration language difficulties that is, mkay!
but modern music is not reinventing the wheel they rather drag that fkn carriage with them mounted horizontal as far as i can tell if that'd be the case.

funny you mentioned mozart and bach, and then take a stab at a certain sound source like it shouldn't be part of something
like saying the violin shouldn't be a part of one of their composites because it's an older instrument unlike the rest. < (now i don't know that!) i'm just making a clear analogy of how wrong you've been.

pz

 

No, I am just saying that only STRADIVARIUS violins must be used anyway,not just violins. This analogy.
Just saying this- who dictates rules? Take any good 303 emulation and good distortion, and start doing things, stop counting harmonics and measure warmth and handjobbing at close emulation. Or fuck music? Better to prove you have found formula for that true 303 sound that was done 30 years ago spontaneous with couple tools they have? Ohh ...

 

NR:1 you misunderstood how to use an analogy, by clearly implying that what i said was true. if you can't tell the difference between 2 acoustic instruments in a composition as a means to justify something imaginary i said earlier - then you're wrong again.

NR:2 an acclaimed audiophile as you, should be able to tell the different fx processing that are used, since back in the day there were very few of them unlike today which would even make your task more efficient. if you can't hear the difference between a real 303 and a replica (now imagine you have one in front of you) then you're not an audiophile. NOONE sits down on their ass except you maybe to calculate distortion, now to correct you again, harmonics = warmth - don't separate them, if you can't hear distortion that sounds familiar to you, yet again you're the one calculating since noone ever mentioned it, i can tell gear from gear, like most people who has experience with different sounds.

 

Sorry for reviving this old thread but why does this Plugin come with no Presets? Do you guys have custom presets? I have no clue how a real scream pedal works let alone circuit bend it, I'm just new to the guitar and just bought this plugin ^^'

 

the Audiosex trend....

 

For a second there I thought this was finally out of beta.

 

When you really want the Forum to use it's one and only collective brain cell and raise your expectations for a second ._.

 

The V.R. version is Bad The R2R version works
No presets come with it. I made custom presets
but you could just randomly try different settings.

 

Last edited: Dec 22, 2021