Goodbye Honey !

Discussion in 'Film / Video Game Scoring' started by Brad LaForme, Mar 1, 2017.

  1. foster911

    foster911 Guest

    Appealing. I also listened to your other tracks too. Delightful. Way to go! Your using big sounds reminds me the distinguished characteristics of big composers' works from the Romantic Era but for non-soundtracks I noticed that some of them are melodically a little bit weak. Just some of them. :like:
     
  2. joseclon

    joseclon Ultrasonic

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    Hi, nice work! I'm listening it right now. Very touching :)
    I'm aware of the moment at 0:13, is an unnatural sudden decay on the strings.
    Maybe the there is a lack of theme, some melody is needed here. I like the sounds and the production, good job!
     
  3. foster911

    foster911 Guest

    I just found this midi track accidentally. As you'd hear it's compositionally quite simple but the idea in it is impressive at least for me. I don't know your method of making music but by the help of people here now I know that every note has its big role and try not to blend everything to sound complicated.
     

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  4. Ultram

    Ultram Kapellmeister

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    Lovely work very competent arrangement, reminds me of Ennio Morricone score for Cinema Paridiso which incidentally is one of my favorite films
     
  5. Brad LaForme

    Brad LaForme Producer

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    Hi Foster,
    thx for your reply and yes i try different orchestration style and i really love this romantic period
    that music touch me really deeper with composers like korngold,Waxman,steiner,herrmann etc... from the hollywood gold age.
     
  6. Brad LaForme

    Brad LaForme Producer

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    Hello Osection & Thx !
    Yes that did not shock me but I would pay more attention to the next time,
    Thank you i really appreciate your advices.
     
  7. Brad LaForme

    Brad LaForme Producer

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    Hey Ultram !
    Yes you are right there is a slight side like in paridiso in my track but it is really not wanted that the hazard does things well.
    Really amazing inventor composer this Morricone.
     
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