No problem @Revirau, you're welcome . Also everything that is doable at track level for the panning, is also doable at object level, it's worth knowing and gives a world of possibilities, the pan knob and the stereo/mono knob are on every object through the object editor and you can insert the stereo multiband enhancer on any object (or any stereo fx you have in your arsenal really....)

 

Is Sequioa (sp) any better? MAGIX seems to have a heap of audio products now, even more with the SONY acq

 

Sequoia is better, the build I've tested is more stable, the cleaning tools work better (notably the spectral cleaning tool), and has much more powerfull features (amongs other LC1 continuous loudness control, sonoris ddp player, cd/dvd mastering straight from multi track projects, advanced loudness metering functions in par with international broadcast standards to name a few) in addition to what Samplitude pro X3 suite already has (although they've added in samplitude since the last upgrade DDP export which is big, and a lot of people who say that upgrade isn't big don't realize how nice that is, but well you have to have a need for it, but it used to be exclusive to Sequoia)...But Sequoia is a mastering tool, and the additions are really specialized things. I wish they could add the loudness history metering that is in sequoia which is the only element the visualisation suite in Samplitude doesnt have next to its big brother Sequoia.
But yeah they also added sound forge pro 11 (the whole thing which normally on its own cost 400$) when you buy samplitude pro suite X3, it's a great stand alone app, that with ddp export alone, and the now inclusion of melodyne with ara at object level, takes this daw into a whole another dimension, imo.

 

Last edited: Dec 11, 2016

Well tbh, this isn't necessarily the fault of the developers. More like the mgrs. Responsiveness 2 bugs seems to inversly scale with company size unless it's in the company culture.

Devs want a product to be bug-free.
Mgrs want new features to sell upgrades.

Who pays the devs? Who manages the products? Managers.

I experienced this myself earlier this year, even in a SME.

Don't expect bugs to be fixed in a big product until next big release, if at all, from a big company.

 

Daws like Samplitude have no longer reason to exist in the actual market scenario, as you noticed already Magix is only after your money and sooner or later this product will pahsed out or semi-abandoned, you better invest your money and time on a decent Daw.

 

Man your opinion is something i care so much about. And Samplitude and sequoia users in professional studios all over the world are just going to stop using it because an ignorant amateur said so., .
Go play with the little boys, show the size of you mini cubase d..k and leave the grown ups alone, we are having a real conversation, about a real daw.


Little, little boy.....

Oh BTW since I know you've never trieds samplitude, and all you do,is come and talk about an imaginary market in order to look a little bit like you have something to say...Well this is trolling, no one wants to buy your daw, go sell it on another sub forum.

 

Last edited: Dec 14, 2016

Seq ain't going away until Source Editing becomes a thing for other daws. I don't know if it is ATM tho... I can see that being a real help. My problem with Samp is a compatbility issue. I think as a person I'm not compatible with Samp -.-

 

@AudioDude I agree Daws have indentities in a way, like people. You have to click to get along !

 

Show some respect to a DAW that has INVENTED all those features they were selling you as innovations...

 

actual market scenario being ??? justin bieber production , maybe ???