About Acoustic Panels

Discussion in 'Studio' started by mercurysoto, Jan 8, 2015.

  1. mercurysoto

    mercurysoto Audiosexual

    Joined:
    Nov 23, 2011
    Messages:
    1,460
    Likes Received:
    1,270
    Location:
    The bottom of the rabbit hole, next to Alice's
    Hi fellas,

    Hard facts about DIY acoustic panels:

    1. Rockwool panels on wooden frames are far better than just acoustic-grade foam of comparable density; they absorb a larger range of frequencies toward the bass end.
    2. The thicker the panel, the more ample the bass-trapping capability of the panel.
    3. Leaving a clearance of the same thickness as the panel you use between the panel and the wall will double the acoustic properties of such panel.

    Right?

    Here comes my question:

    I have DIY panels of rockwool. They are 1.20m x 0.60m and 2" thick. If I stack two panels together and leave a clearance of 4" between the sandwiched panels and the wall, I'm getting four times the bass absorption of a single panel, being the whole structure 8" thick, right?

    Please, shed some light on this.

    All the best to you,

    Carlos
     
  2.  
  3. fraifikmushi

    fraifikmushi Guest

    2" rockwool (which one exactly?) is not nearly enough to really absorb bass frequencies. I don't know the dampening coefficient by heart but with Rockwool Sonorock I think you would need 250mm for 50 Hz absorbtion.
    The best diy way to bass absorbtion are corner traps as described here:
    http://www.radford.edu/~shelm/acoustics/bass-traps.html#BassTraps
     
  4. mercurysoto

    mercurysoto Audiosexual

    Joined:
    Nov 23, 2011
    Messages:
    1,460
    Likes Received:
    1,270
    Location:
    The bottom of the rabbit hole, next to Alice's
    It's a compacted panel that I bought from a heat insulation supplier. It's generic. I have a bass trap cylinder that goes floor to ceiling. Actually, the problem resonances and hard-to-tackle harmonics happen in the 300-600 Hz area, which I hope my panels can tackle sandwiched like I described before. Even if they don't reach that low, if they trap their multiple factor resonances, I'll ge getting something good going on. Right?

    What do you think? The panels are already made. I have like 16 spares right now and the room measures 3.6 meters by 6m. The walls are not perfectly parallel, a lucky coincidence. Anyhow, if I stack two panels and leave a 4" clearance from the wall, we are not talking about 2" panels anymore but 8" panels, am I right?
     
  5. rhythmatist

    rhythmatist Audiosexual

    Joined:
    Sep 5, 2011
    Messages:
    1,270
    Likes Received:
    810
    Location:
    Chillicothe, Ohio, USA
    Save rockwool for your hydroponic gardening. Auralex products are worth the extra expense, and they are fire retardant. If you don't use their products, their website has free tools and education. Or, just start putting your panels where your ears tell you. It's all good. :mates: http://www.auralex.com/
     
  6. Demon

    Demon Producer

    Joined:
    Mar 13, 2014
    Messages:
    665
    Likes Received:
    118
    Location:
    Melbourne, Australia
    Hey mate.

    I'm not an expert in this but with the panels I made, I put 8 in my studio and the bass got trapped big time, so I had to take a couple of them down (which later I put in my living room :D). I think it all depends on the size of the room, what type of floor you have, etc.

    I am planning to use something similar to what Algae suggests for a vocal booth, but that one will be way down the line.

    Oh, also I used something similar to rockwool, but they are actually acoustic insulation panels called "soundscreen", they're specifically designed for sound, not for blocking heat/cold. (http://www.soundscreen.com.au/)
     
  7. lyric8

    lyric8 Producer

    Joined:
    Sep 12, 2011
    Messages:
    1,125
    Likes Received:
    76
    cotton wall insulation you can buy at Lowes
     
  8. Guitarmaniac64

    Guitarmaniac64 Rock Star

    Joined:
    Jun 5, 2011
    Messages:
    1,345
    Likes Received:
    317
    But still rockwool is much better to absorb frequences then foam it is a well known fact
     
  9. akosone

    akosone Noisemaker

    Joined:
    Jan 9, 2015
    Messages:
    18
    Likes Received:
    5
  10. fiction

    fiction Audiosexual

    Joined:
    Jun 21, 2011
    Messages:
    1,914
    Likes Received:
    701
    Has anyone actually tried helmholtz resonators for eliminating individual room resonances?
    (actually, a properly calculated cabinet with a bass reflex tube)

    If so, how do they differ from the above absorbers?
     
  11. rhythmatist

    rhythmatist Audiosexual

    Joined:
    Sep 5, 2011
    Messages:
    1,270
    Likes Received:
    810
    Location:
    Chillicothe, Ohio, USA
    And where is the publication of this well known fact? Auralex does research on their products, and foam tiles are not the only products they offer. There are other brands and types of professional acoustic environment control products, also. Like this, for instance. https://www.gcaudio.com/cgi-bin/store/showProduct.cgi?id=666 How many professional studios use rockwool, egg cartons, generic foam, or all the other half assed measures I see mentioned here often, compared to how many use professional products designed for this purpose? :dunno: if you can afford it, get the proper tools or supplies to do the job right, and save a lot do-over.
     
  12. fraifikmushi

    fraifikmushi Guest

    There is plenty of research on this topic.

    The absorption coefficients for 5 cm mineral wool (40kg/m³, Rockwool Sonorock has 30-100 kg/m³) mounted to wall (example a), 5 cm mineral wool (40 kg/m³) 30cm in front of wall (example b) and polyurethane foam, 2.5 cm thick (example c) are:

    A 0.15/125 Hz, 0.70/250 Hz, 0.60/500 Hz, 0.60/1000 Hz, 0.85/2000 Hz, 0.90/4000 Hz
    B 0.70/125 Hz, 0.45/250 Hz, 0.65/500 Hz, 0.60/1000 Hz, 0.75/2000 Hz, 0.65/4000 Hz
    C 0.16/125 Hz, 0.25/250 Hz, 0.45/500 Hz, 0.84/1000 Hz, 0.97/2000 Hz, 0.87/4000 Hz

    1.00 would mean total absorption.

    (Source: Cox & D'Antonio (2005) Acoustic Absorbers and Diffusers, Spon Press: London, Apendix A)

    So the conclusion is that foam can achieve sound absorption comparable to rock wool. The thing is, even if specialized acoustic foam might get better absorption than rock wool, the heftier price tag eats up the advantage imho.
    If I would treat my studio (which I don't because I know to judge the sound in here as it is and I'm sure I would just improve it for the worse), I would go for qrd diffusors and corner absorbers like this:
    [​IMG]
    And, of course, if you want to do it right, measuring your room acoustically would be the unavoidable first step. Otherwise, every move you make is just fishing in murky waters.

    If you need some literature on this I can recommend Shea/Everest "How to build a small budget recording studio from scratch". The book I posted above is more for you if you want to design absorbers yourself.
     
  13. rhythmatist

    rhythmatist Audiosexual

    Joined:
    Sep 5, 2011
    Messages:
    1,270
    Likes Received:
    810
    Location:
    Chillicothe, Ohio, USA
    I found this retailer that specializes in sound control. Package deals, blemished items on sale, etc. Just in case somebody is interested. http://truesoundcontrol.com/clearance/?gclid=CJv2o-_si8MCFQ-OaQodplsA4Q
     
  14. Demon

    Demon Producer

    Joined:
    Mar 13, 2014
    Messages:
    665
    Likes Received:
    118
    Location:
    Melbourne, Australia
    @Algae

    I've noticed that you are very enthusiastic about Auralex products (I've seen you mentioning them in lots of posts). Please excuse this being a bit off-topic from the original post... what would you recommend as a good brand option for acoustic curtains? I may need one soon.

    Cheers.
     
  15. rhythmatist

    rhythmatist Audiosexual

    Joined:
    Sep 5, 2011
    Messages:
    1,270
    Likes Received:
    810
    Location:
    Chillicothe, Ohio, USA
    Demon-PM at you. Auralex not the only people with similar products, but they seem to know a little about the science of acoustics and treatment. My longterm experience for almost all tools is: if you can afford it, go pro the 1st time. "Why half ass a job when you can just go ahead and whole ass the thing." :rofl:
     
  16. freefeet12

    freefeet12 Rock Star

    Joined:
    May 13, 2015
    Messages:
    897
    Likes Received:
    486
    Owens 703 insulation is where it's at. :wink:
     
  17. freefeet12

    freefeet12 Rock Star

    Joined:
    May 13, 2015
    Messages:
    897
    Likes Received:
    486
    Oh, and this might be helpful: http://ethanwiner.com/acoustics.html
     
  18. Vince Bramich

    Vince Bramich Ultrasonic

    Joined:
    Jan 11, 2015
    Messages:
    200
    Likes Received:
    27
    Location:
    Melbourne, Australia
    I wouldn't think four times the absorbtion. But maybe 2 and a bit times. Cos it's an exponential factor at play the thicker you go. and the lower the frequencies.

    If you know the frequencies you want to control i'd look at limp mass membrane absorbers. There's a formula to the size of the traps ands the frequencies they control (similar to helmholtz) only you can dampen them with foam or rockwool to widen the range as desired.

    http://www.acousticsciences.com/art-noxon/limp-mass-membrane-bass-traps
    https://www.gearslutz.com/board/bass-traps-acoustic-panels-foam-etc/743040-tims-limp-mass-bass-absorbers.html (download attachment from first post)
     

    Attached Files:

  19. BumBcL0t

    BumBcL0t Producer

    Joined:
    Oct 14, 2014
    Messages:
    125
    Likes Received:
    94
    If you use Auralex you are gonna end up spending a TON more $$$ than if you just went the DIY route with some Rockwool/Owens/Knauff insulation. Do some research on Gearslutz in the acoustics section, there are hundreds of threads to read and get info from.
     
Loading...
Loading...